Sundance Part Two

On Friday N and I drove up to Odgen to see two films at Peery’s Egyptian Theater. It’s a wonderful old theater complete with an octogenarian organist who plays flamboyant renditions of show tunes before the movie starts.

We saw An Education and 500 Days of Summer. An Education was written by Nick Hornby and has a great cast including Peter Sarsgaard, Alfred Molina, and Emma Thompson. The film takes place in 1960s London and centers around Jenny, a 16 year-old school girl. She’s pretty and bright and studying to get into Oxford but she’s also rather bored with her life and longing to be a sophisticate. And so when she meets, David, a dashing older man who starts taking her around to glamorous restaurants, concerts and art auctions her head gets turned by the excitement. Predictably, not everything is as it seems in David’s world and Jenny has to make some choices.

This predictability was for me, the main flaw in the movie. Many points of the plot played out according to convention or even cliché. But the cast was great (Carey Mulligan, who plays Jenny, was superb) and much of the script, plot aside, was very good. Alfred Molina has a monologue towards the end that just made my heart ache.

Over all, I enjoyed watching it. Others apparently also liked it; I just saw that it won the Dramatic World Cinema Audience Award.

While An Education flirted with cliché, 500 days of Summer got it loaded on Mai Tais and took it home on the first date.

There was a veritable list of post-Garden State hipster clichés: a arty fickle girl with guarded angst in her heart, characters professing their love for The Smiths to each other, zany escapades at IKEA, karaoke scenes (yes, more than one!) in which the songs the characters sing reveal the state of their souls, an elaborate dance number, and so on.

I think N said it best when he said that 500 Days needed to have come out in 2005. In a post-Juno world it just feels too precious. The quirky freshness it strives so earnestly for often falls flat. It sometimes felt like the filmmakers sat down and made a list of things they thought my generation would relate to and then ticked them off, one by one, when they made the movie.

But with all that said, I still enjoyed watching it. The script is often clever and while the nonlinear structure might be another one of the movie’s try-hard attempts at being quirky and artsy it is fun to follow. And after all, the audience at our showing did really like the movie. But the main reason I feel so forgiving towards the film?

It’s Joseph Gordon-Levitt who is freaking adorable. He played the little kid on 3rd Rock from the Sun but has made the leap from child to adult actor with aplomb. Ever since I saw him in Brick I’ve kind of had a thing for him. He was great in the movie and AND he has adorable, delicious eye crinkles.

So to sum up, see An Education in the theater but go to 500 Days of Summer with the girls or catch it at a matinee or on DVD.

Sundance Part One

The Q&A after We Live in Public

Last night N and I dropped E off at a friend’s house and headed up the canyon to the Sundance Resort. I’ve lived in Utah full time for 8+ years but hadn’t been to the resort until then (I don’t ski.) It was quite lovely.

We first saw We Live in Public, which was directed by Ondi Timoner who won the grand jury prize in 2004 for her documentary, DiG! (N’s does a nice job of breaking down the movie here.)

We Live in Public was fascinating. It follows Josh Harris who was one of the leaders of the early dot-com days and a pioneer in internet broadcasting. The film makes a point of exploring how fending for himself as a child (due to an emotionally unavailable mother) and growing up raised by TV influenced Harris. As a side effect of his upbringing Harris related more to characters than real people. (e.g. He refuses to call or visit his mother on her deathbed and instead sends her a video message in which he wishes her “all the best.”)

But back in the 1990s Harris was ahead of his time back. He was one of the first dot-com millionaires and his special interest was how people would use technology to communicate with others. He foresaw that people would use the internet to broadcast the details of their lives and surrender privacy in exchange for popularity among strangers. Besides just having theories, Harris saw (and still sees) himself as a great artist. And so he built a weird underground hotel/compound (complete with lots of guns) and installs cameras and monitors everywhere and bills it as the art experiment of the millennium. A bunch of the New York City art crowd moves in and after a while, as you might predict, things do not go well.

The documentary doesn’t pull any punches about how it was largely Harris’ own flaws that brought about his professional, familial, and romantic failures. Because of that I felt kind of uncomfortable when I realized that Harris himself was there for the Q&A after the screening. We had just seen a lot of unflattering and embarrassingly intimate footage of his life and now here was the man himself on stage wearing khakis. (Understandably, Harris refuses to watch the film.)

The Q&A was great though. Ondi Timoner is whip-smart and super cute to boot. She actually stayed in the compound herself and there is footage of her in the film. To make the movie they had to sift through thousands of hours of footage. The way the film explores the questions of privacy and popularity and what they mean in the MySpace/Facebook era was intriguging.

The Q&A went on for a while and so we ended up missing our reservation at the Foundry Grill and just ate at the deli. We then went back to the screening room to see Manure.

Manure was a lot of fun. It’s a comedy about manure salesmen in 1960s heartland America. The writing was funny and there were several great running gags/ zany hijinks. The cast includes Billy Bob Thorton, Tea Leoni, Kyle MacLachlan, and Ed Helms (from the Daily Show). Visually, the movie was stunning; the art direction was fantastic. The cgi backdrops reminded me of 300. They were dreamy and at times epic. The highbrow visuals contrast interestingly with the lowbrow humor (as you can imagine, there are poop jokes galore).

I’m not sure why type of distribution the movie’s has set up. Even though it has a well-known cast it’s so quirky that I can’t see it playing at the local megaplex. But I would recommend watching it if you get the chance.

And that is all I have to say about last night’s films because E is now insisting (quite vehemently) on my undivided attention.

Tonight we’re going to An Education and 500 Days of summer. Bring on the coming-of-age stories and romances!

Yummy Breakfast Keychains

I’ve started collecting these lately. Afterall, who doesn’t need keychains of adorable anthropomorphic breakfast foods?

They’re designed by Heidi Kenney of My Paper Crane and made by Kidrobot, purveyor of Japanese-style limited edition toys such as Dunny and Munny collectibles. The keychains are sold blind-box so you don’t know what’s inside until you open it and some figures are more common than others.
The only store around here that carries them is the music store at the mall. This means that N is semi-supportive of me collecting them because he knows that if he picks up a keychain for me then I’ll be too excited to care about how many cds he bought.

Everybody wins!

My New Holga

N gave me this Holga camera kit as a Christmas gift which I was really excited about.

The Holga is basically the cheapest medium format camera you can get. You can get just the camera for under $40. The main reason they’re so cheap is because they’re made entirely out of plastic, including the lens. The Holga was created in China during the early 1980s for the purpose of providing an inexpensive camera for the masses. But since then it’s grown into kind of a cult-item. The hipster rhetoric behind them can get kind of silly (apparently it will “make you see beauty when you thought it had disappeared forever”) but but they do take interesting, otherworldly pictures.

These are from the first roll I shot. There were some light leaks onto the film because one of the foam blocks that cushions the film spool came loose and got wrapped up inside the film. (Apparently the Holga’s cheap reputation is well deserved.)




All hype aside, the Holga is really a just a cheap toy camera. But it’s a very fun cheap toy camera. Pick one up if you want to explore lo-fi film photography.

Feeling Better

E seemed to be feeling better this morning AND he just went down for a nap without a lot of fuss (woot, woot!)

I did end up taking him to the doctor yesterday and she said his ears did have some fluid in them. I felt guilty that I didn’t take him in sooner, but E hadn’t had any cold symptoms so I thought his crankiness was just due to teething.

It seems to have worked itself out, though. The doctor said there was a good chance that it was viral and that antibiotics wouldn’t have helped any way. She did write me a scrip for some but also okayed waiting a few days to see if the infection got better on its own. I prefer not putting E on antibiotics unless it’s certain they’re necessary. So I’m keeping my fingers crossed.

Winter Staycation

N and I are pretty good about getting babysitters every couple of weeks and going out to eat or to movies but we haven’t done anything especially fun for about, oh, 14 months or so.

We live just outside Salt Lake City and the Sundance Film Festival is a pretty big deal around here. In the pre-E days we would usually go see a few things at the festival. Last year we didn’t make it to any shows together (having a two month-old somehow got in the way) but this year we decided to be wild and crazy and bought a 12-ticket package.

We cobbled together a line-up of babysitters and next week we’re going to go see six things, two-a-night for three nights. It was hard to select what we wanted to see, but our choices were somewhat limited because we wanted to avoid Park City. Park City is where the celebrities and glitzy events are but N and I are old fuddyduddies and didn’t want to deal with the longer drive, the crowds, and having to finding parking and ride the shuttle. So we’re seeing these films in Odgen, downtown SLC, and at the Sundance resort.

I’m excited about going. Hopefully E will be over this super-cranky funk he’s been in for the last week and be good for his sitters. He started digging at his ears over the last few days and then this morning he was crying and slapping himself on the head/pulling on his hair. I have to admit, it was pretty alarming to see. Does anyone else’s kid do that? Just to be safe, I’m going to take him to the doctor later today to see if he has an ear infection.

Flensted Mobiles

After E was born I wanted to get a mobile to hang over his crib. I thought about getting one of these Tiny Love mobiles but they seemed really huge and a little bit frightening. Babies supposedly love them, but if I was going to be spending $30-40 on a mobile I wanted one that E could enjoy for years.

I looked around online and found these mobiles by Flensted and I fell in love with them. After much agonizing I ended up getting the balloon mobile for over E’s crib and the owl mobile (owls reading books, so charming!) to hang in my office.

The mobiles are a little pricey if you consider just the raw materials involved, but they really are lovely in person. E is fascinated by his and frequently implores me (unsuccessfully) to lift him up high so he can bat at it.

Flensted also seems like a great family-run, family-friendly company. Their workers assemble the mobiles by hand in their own homes instead of in a factory. As some who works from home, I don’t mind spending a little bit more to support a company that allows other to do the same.