The Sundance Film Festival begins later this week and N and I have tickets to some shows! It’s a fun thing that we try to make time for every year. This year we’re going to see 10 films (in 4 days, gulp.)
Our ticket package was limited to showings in Salt Lake City and N’s work schedule/our babysitters’ availability limited us to movies on Fridays/Saturdays so our choice of films was somewhat constrained. There were things we wanted to see but couldn’t find a convenient showing of which was a bit of a bummer. But I’m looking forward to seeing some movies that I normally wouldn’t have the chance to see and spending a few days hanging out with N. Here is what we’re seeing this Friday and Saturday.
**The summaries are taken from the Sundance Festival Program.**
What Happened, Miss Simone?
A classically trained musical genius, chart-topping chanteuse, and Black Power icon, Nina Simone is one of the most influential, beloved, provocative, and least understood artists of our time. On stage, she was known for utterly free, rapturous performances, earning her the epithet “High Priestess of Soul.” But amid the violent, day-to-day fight for civil rights, she struggled to reconcile artistic ambition with her fierce devotion to a movement. Director Liz Garbus sensitively explores the constant state of opposition that trapped and tortured Simone—as a classical pianist pigeonholed in jazz, as a professional boxed in by family life, as a black woman in racist America—and in so doing, reveals a towering figure transcending categorization and her times. The film stays true to Simone’s subjectivity by mining never-before-heard tapes, rare archival footage, and interviews with close friends and family. Charting Simone’s musical inventiveness alongside the arc of her Jim Crow childhood, defining role in the Civil Rights Movement, arrival at Carnegie Hall, self-imposed exile in Liberia, and solitary life in France, this astonishingly intimate yet epic portrait becomes a non-fiction musical—lush tracks and riveting story resonating inextricably. —C.L.
The BronzeIn 2004, Hope Ann Greggory became an American hero after winning the bronze medal for the women’s gymnastics team. Today, she’s living in her father’s basement in her small hometown—washed up, largely forgotten, and embittered. Stuck in her past glory, Hope is forced to reassess her life when a promising young gymnast who idolizes her threatens her local celebrity status. Will she mentor the adoring, hopeful protégé, take her down, or both?
In the summer of 1968, television news changed forever. Dead last in the ratings, ABC hired two towering public intellectuals to debate each other during the Democratic and Republican national conventions. William F. Buckley, Jr. was a leading light of the new conservative movement. A Democrat and cousin to Jackie Onassis, Gore Vidal was a leftist novelist and polemicist. Armed with deep-seated distrust and enmity, Vidal and Buckley believed each other’s political ideologies were dangerous for America. Like rounds in a heavyweight battle, they pummeled out policy and personal insult—cementing their opposing political positions. Their explosive exchanges devolved into vitriolic name-calling. It was unlike anything TV had ever broadcast, and all the more shocking because it was live and unscripted. Viewers were riveted. ABC News’ ratings skyrocketed. And a new era in public discourse was born.
In early 2000, in a tiny village in one of the poorest mining valleys in Wales, Jan Vokes, the barmaid at the local men’s club, hatches a crazy plan to take on the “sport of kings” and breed a racehorse. She gathers together a group of locals who each agree to pitch in 10 pounds a week. They raise their foal on a hillside made of slag from the coal mine and nurture it to maturity. Reflecting their pride and flights of fancy, they name their horse Dream Alliance. To the astonishment of the racing elite, Dream becomes an unlikely champion, beating the finest thoroughbreds in the land. Then, in one fateful race, the horse—which embodies the plucky band of misfits’ hopes and dreams—has a near-fatal accident. Nursed back to health through the love of his owners, Dream makes a remarkable recovery, returning to the track for a heart-pounding comeback.
In 1996, shortly after the publication of his groundbreaking novel Infinite Jest, acclaimed author David Foster Wallace (Jason Segel) sets off on a five-day interview with Rolling Stone reporter David Lipsky (Jesse Eisenberg). As the days pass, a tenuous yet significant relationship develops between journalist and subject. Lipsky and Wallace bob and weave around each other, revealing as much in what they don’t say as what the say. They share laughs, expose hidden frailties, yet it’s never clear when or to what extent they are being truthful. The interview is never published. Five days of audio tapes are packed away in Lipsky’s closet, and the two men never meet again.
